High on Sutton Bank

Never fails to astonish me - the view across the Vale of York from Sutton Bank escarpment path on the fringes of the North York Moors- for air and a distant horizon. Walking its edge, catching the racing light driving across the horizon over its patchwork of fields. Drama in the sky - nuclear clouds, kestrels diving, gliders soaring fragile in the aggressive wind. I used my completed mixed media paintings plus videos and sound recordings taken when on the plateau.

Mining my sister's memory - launch

Delighted to present my poetry pamphlet as part of the poetry contributions to the launch of Pushing out the Boat publication no 18 at Newton Dee 18th May 2025. I also had 2 of my art works on display of which one is featured in the publication. Mining my Sisters Memory explores the loss of my sister to dementia through the pain and power of earth’s natural processes.

Memory circulates like the blood stream * - but what heppens when the human equivalent of a glacial erratic or a fault line halts its movement.

*Muriel Spark

The sound of an elliptical path

The Azores seas and wind are a constant presence along with the accompanying howling and roaring - completely mesmerising and often quite scary. A human becomes such a small part in this massive repetitive cycle. The earth's moon hauling the seas backwards and forwards day in and day out as we slowly spin around our sun.

Taynish Oak Woodland, Argyll

Delighted to submit my entry for the exhibition - Create for Climate at Port William, Dumfries and Galloway run by Machar sand Cree Valley Climate Action Network. This is Taynish National Nature Reserve famous for its ancient atlantic oak woodlands and lichens.

Boundaries

Accepted for the White Cube exhibition at StAnza, Scotland's International poetry festival, March 2025 and part of the Off Page visual poetics annual celebration. This is a poem about deep time geology and crossing the divide between Hampshire and Dorset and below surface memories it reveals. The soundtrack is composed especially for this poem with Catherine Eunson on Cello and Alison Cohen on percussion.